首页> 外文OA文献 >Marinheiro ou camponês? Algumas reflexões sobre as leituras de Sebald do ensaio “O narrador” de Walter Benjamin 'Seaman' or ' Peasant'? Some reflections on Sebald's reading of Walter Benjamin's essay 'The Narrator'
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Marinheiro ou camponês? Algumas reflexões sobre as leituras de Sebald do ensaio “O narrador” de Walter Benjamin 'Seaman' or ' Peasant'? Some reflections on Sebald's reading of Walter Benjamin's essay 'The Narrator'

机译:水手还是农民?沃尔特·本杰明(Walter Benjamin)的“叙述者”,“海员”或“农民”的文章对塞巴尔的读物有何想法?关于塞伯德阅读沃尔特·本杰明的文章“叙述者”的一些思考

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摘要

W.G. Sebald’s private library, which is held in part in the Deutsches\udLiteraturarchiv, contains a copy of Walter Benjamin’s Illuminationen. This essay seeks to\udestablish a theoretical framework for Sebald’s narrative technique by investigating his\udannotations in the closing essay of the book, “The Narrator”. With the help of his underlinings\udand marginalia, Sebald’s own narrative structures can be interpreted as a means of depicting\ud“natural history”, as an aesthetic response to a philosophical concept. Two principles can be\udderived from this perspective: the strategy of “interlocking layers” (Einschachteln), and the\udstrategy of montage. It is the dialectic between these two principles that drives Sebald’s prose\udstyle. The tension in his work between fact and fiction derives ultimately from an uneasy\udrelationship between his artfully constructed prose-style on the one hand and its quasidocumentary\udrealism on the other.
机译:W.G. Sebald的私人图书馆部分保存在Deutsches \ udLiteraturarchiv中,其中包含Walter Benjamin的Illuminationen的副本。本文旨在通过调查“叙事者”一书的结尾文中的\ udannotations,来为Sebald的叙事技术建立一个理论框架。借助他的底线\ udand marginalia,Sebald自己的叙事结构可以被解释为描绘\ ud“自然历史”的一种手段,是对哲学概念的审美回应。从这个角度可以得出两个原则:“互锁层”策略(Einschachteln)和蒙太奇的\策略。这两个原则之间的辩证关系推动了Sebald的散文\ udstyle。他的作品在事实和虚构之间的张力最终源于他一方面巧妙地构造的散文风格与另一方面他的准纪录片\超现实主义之间的不安\疏忽。

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    Hutchinson, Ben;

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  • 年度 2016
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